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John Evans

Picture This: Visual Literacy Activities - 0 views

www.museumca.org/...visual.html

digital images literacy photographs visual_literacy

shared by John Evans on 25 Sep 08 - Cached
  • Visual literacy is defined as the ability to understand communications composed of visual images as well as being able to use visual imagery to communicate to others. Students become visually literate by the practice of visual encoding (expressing their thoughts and ideas in visual form) and visual decoding (translating and understanding the meaning of visual imagery).
  • John Evans on 25 Sep 08
     
    Visual literacy is defined as the ability to understand communications composed of visual images as well as being able to use visual imagery to communicate to others. Students become visually literate by the practice of visual encoding (expressing their thoughts and ideas in visual form) and visual decoding (translating and understanding the meaning of visual imagery).
John Evans

March 2015: Literacies for the digital age: Information and digital literacy - DEN Blog... - 3 views

blog.discoveryeducation.com/...informationliteracy

information literacy search_skills digital literacy literacies 21stcenturyskills literacy

shared by John Evans on 02 Mar 15 - No Cached
  • John Evans on 02 Mar 15
     
    "This is the seventh in a series of blog posts highlighting the digital literacies our students will need to succeed. The first posts covered financial literacy, visual literacy, media literacy, historical literacy, numeracy, and data literacy. This post will provide you with some ideas on how to infuse information literacy and digital literacy skills into the curriculum."
John Evans

Wonderful Mini-posters on The 21st century Literacies ~ Educational Technology and Mobi... - 5 views

www.educatorstechnology.com/...i-posters-on-21st-century.html

literacies educational technology mobile learning

shared by John Evans on 01 Jan 15 - No Cached
  • John Evans on 01 Jan 15
     
    "The concept of literacy is notoriously elusive and hard to define. Aside from the shallow and intellectually-impaired  definition that sums up  literacy in  reading and writing printed text, any serious and profound investigation of literacy does, by implication, entail an analysis of the new ways of learning and meaning-making afforded by digitality. New digital media have provided learners with novel and revolutionary ways of producing, discussing, sharing and interacting with text. These ways, to say the least about them, are multimodally complex and call for an integrated set of skills that go beyond the mere ability to code and decode meaning. In this sense, to be literate in such a multimodal environment requires understanding and using a wide range of interconnected literacies. We are no longer talking about a single literacy as was the case since the invention of writing some 6000 year ago, we are, instead,  in front of multiple new emerging  and interdependent literacies. Today's students are asked to have a working knowledge of these literacies in order to be able to thrive in a globalized knowledge economy. Katchy Schrock has this wonderful resource where she features some awesome mini-posters defining the key literacies making up today's Literacy (with capital letter) landscape.  These visuals are ideal for classroom inclusion. I invite you to check them out and share with your colleagues."
John Evans

Gaming and Literacy - GamingResources - 2 views

gaming.ala.org/...index.php

literacy gaming ALA EY MY SY

shared by John Evans on 07 Feb 09 - Cached
  • John Evans on 07 Feb 09
     
    21st Century Literacy, Visual Literacy, Media Literacy, Programming Literacy, Multimodal Literacy, Science Literacy, Technology Literacy
Clint Hamada

The Code of Best Practices in Fair Use for Media Literacy Education -- Publications --... - 7 views

www.centerforsocialmedia.org/...e_for_media_literacy_education

Best Practice Fair Use literacy CC copyright guide guidelines

shared by Clint Hamada on 07 Apr 10 - Cached
  • Fair use is the right to use copyrighted material without permission or payment under some circumstances—especially when the cultural or social benefits of the use are predominant.
  • This guide identifies five principles that represent the media literacy education community’s current consensus about acceptable practices for the fair use of copyrighted materials
  • This code of best practices does not tell you the limits of fair use rights.
  • ...51 more annotations...
  • Media literacy is the capacity to access, analyze, evaluate, and communicate messages in a wide variety of forms. This expanded conceptualization of literacy responds to the demands of cultural participation in the twenty-first century.
  • Media literacy education helps people of all ages to be critical thinkers, effective communicators, and active citizens.
  • Rather than transforming the media material in question, they use that content for essentially the same purposes for which it originally was intended—to instruct or to entertain.
  • four types of considerations mentioned in the law: the nature of the use, the nature of the work used, the extent of the use, and its economic effect (the so-called "four factors").
  • this guide addresses another set of issues: the transformative uses of copyright materials in media literacy education that can flourish only with a robust understanding of fair use
  • Lack of clarity reduces learning and limits the ability to use digital tools. Some educators close their classroom doors and hide what they fear is infringement; others hyper-comply with imagined rules that are far stricter than the law requires, limiting the effectiveness of their teaching and their students’ learning.
  • However, there have been no important court decisions—in fact, very few decisions of any kind—that actually interpret and apply the doctrine in an educational context.
  • But copying, quoting, and generally re-using existing cultural material can be, under some circumstances, a critically important part of generating new culture. In fact, the cultural value of copying is so well established that it is written into the social bargain at the heart of copyright law. The bargain is this: we as a society give limited property rights to creators to encourage them to produce culture; at the same time, we give other creators the chance to use that same copyrighted material, without permission or payment, in some circumstances. Without the second half of the bargain, we could all lose important new cultural work.
  • specific exemptions for teachers in Sections 110(1) and (2) of the Copyright Act (for "face-to-face" in the classroom and equivalent distance practices in distance education
  • In reviewing the history of fair use litigation, we find that judges return again and again to two key questions: • Did the unlicensed use "transform" the material taken from the copyrighted work by using it for a different purpose than that of the original, or did it just repeat the work for the same intent and value as the original? • Was the material taken appropriate in kind and amount, considering the nature of the copyrighted work and of the use?
  • Fair use is in wide and vigorous use today in many professional communities. For example, historians regularly quote both other historians’ writings and textual sources; filmmakers and visual artists use, reinterpret, and critique copyright material; while scholars illustrate cultural commentary with textual, visual, and musical examples.
  • Fair use is healthy and vigorous in daily broadcast television news, where references to popular films, classic TV programs, archival images, and popular songs are constant and routinely unlicensed.
  • many publications for educators reproduce the guidelines uncritically, presenting them as standards that must be adhered to in order to act lawfully.
  • Experts (often non-lawyers) give conference workshops for K–12 teachers, technology coordinators, and library or media specialists where these guidelines and similar sets of purported rules are presented with rigid, official-looking tables and charts.
  • this is an area in which educators themselves should be leaders rather than followers. Often, they can assert their own rights under fair use to make these decisions on their own, without approval.
  • ducators should share their knowledge of fair use rights with library and media specialists, technology specialists, and other school leaders to assure that their fair use rights are put into institutional practice.
  • Through its five principles, this code of best practices identifies five sets of current practices in the use of copyrighted materials in media literacy education to which the doctrine of fair use clearly applies.
  • When students or educators use copyrighted materials in their own creative work outside of an educational context, they can rely on fair use guidelines created by other creator groups, including documentary filmmakers and online video producers.
  • In all cases, a digital copy is the same as a hard copy in terms of fair use
  • When a user’s copy was obtained illegally or in bad faith, that fact may affect fair use analysis.
  • Otherwise, of course, where a use is fair, it is irrelevant whether the source of the content in question was a recorded over-the-air broadcast, a teacher’s personal copy of a newspaper or a DVD, or a rented or borrowed piece of media.
  • The principles are all subject to a "rule of proportionality." Educators’ and students’ fair use rights extend to the portions of copyrighted works that they need to accomplish their educational goals
  • Educators use television news, advertising, movies, still images, newspaper and magazine articles, Web sites, video games, and other copyrighted material to build critical-thinking and communication skills.
  • nder fair use, educators using the concepts and techniques of media literacy can choose illustrative material from the full range of copyrighted sources and make them available to learners, in class, in workshops, in informal mentoring and teaching settings, and on school-related Web sites.
  • Whenever possible, educators should provide proper attribution and model citation practices that are appropriate to the form and context of use.
  • Where illustrative material is made available in digital formats, educators should provide reasonable protection against third-party access and downloads.
  • Teachers use copyrighted materials in the creation of lesson plans, materials, tool kits, and curricula in order to apply the principles of media literacy education and use digital technologies effectively in an educational context
  • Wherever possible, educators should provide attribution for quoted material, and of course they should use only what is necessary for the educational goal or purpose.
  • Educators using concepts and techniques of media literacy should be able to share effective examples of teaching about media and meaning with one another, including lessons and resource materials.
  • fair use applies to commercial materials as well as those produced outside the marketplace model.
  • curriculum developers should be especially careful to choose illustrations from copyrighted media that are necessary to meet the educational objectives of the lesson, using only what furthers the educational goal or purpose for which it is being made.
  • Curriculum developers should not rely on fair use when using copyrighted third-party images or texts to promote their materials
  • Students strengthen media literacy skills by creating messages and using such symbolic forms as language, images, sound, music, and digital media to express and share meaning. In learning to use video editing software and in creating remix videos, students learn how juxtaposition reshapes meaning. Students include excerpts from copyrighted material in their own creative work for many purposes, including for comment and criticism, for illustration, to stimulate public discussion, or in incidental or accidental ways
  • educators using concepts and techniques of media literacy should be free to enable learners to incorporate, modify, and re-present existing media objects in their own classroom work
  • Media production can foster and deepen awareness of the constructed nature of all media, one of the key concepts of media literacy. The basis for fair use here is embedded in good pedagogy.
  • Students’ use of copyrighted material should not be a substitute for creative effort
  • how their use of a copyrighted work repurposes or transforms the original
  • cannot rely on fair use when their goal is simply to establish a mood or convey an emotional tone, or when they employ popular songs simply to exploit their appeal and popularity.
  • Students should be encouraged to make their own careful assessments of fair use and should be reminded that attribution, in itself, does not convert an infringing use into a fair one.
  • Students who are expected to behave responsibly as media creators and who are encouraged to reach other people outside the classroom with their work learn most deeply.
  • . In some cases, widespread distribution of students’ work (via the Internet, for example) is appropriate. If student work that incorporates, modifies, and re-presents existing media content meets the transformativeness standard, it can be distributed to wide audiences under the doctrine of fair use.
  • educators should take the opportunity to model the real-world permissions process, with explicit emphasis not only on how that process works, but also on how it affects media making.
  • educators should explore with students the distinction between material that should be licensed, material that is in the public domain or otherwise openly available, and copyrighted material that is subject to fair use.
  • ethical obligation to provide proper attribution also should be examined
  • Most "copyright education" that educators and learners have encountered has been shaped by the concerns of commercial copyright holders, whose understandable concern about large-scale copyright piracy has caused them to equate any unlicensed use of copyrighted material with stealing
  • This code of best practices, by contrast, is shaped by educators for educators and the learners they serve, with the help of legal advisors. As an important first step in reclaiming their fair use rights, educators should employ this document to inform their own practices in the classroom and beyond.
  • Many school policies are based on so-called negotiated fair use guidelines, as discussed above. In their implementation of those guidelines, systems tend to confuse a limited "safe harbor" zone of absolute security with the entire range of possibility that fair use makes available.
  • Using an appropriate excerpt from copyrighted material to illustrate a key idea in the course of teaching is likely to be a fair use, for example.
  • Indeed, the Copyright Act itself makes it clear that educational uses will often be considered fair because they add important pedagogical value to referenced media objects
  • So if work is going to be shared widely, it is good to be able to rely on transformativeness.
  • We don’t know of any lawsuit actually brought by an American media company against an educator over the use of media in the educational process.
John Evans

Free Technology for Teachers: 4 Ways Visual Literacy is Being Taught in Classrooms to E... - 0 views

www.freetech4teachers.com/...-literacy-is-being-taught.html

free technology visual literacy literacy classrooms learning

shared by John Evans on 17 Sep 15 - No Cached
  • John Evans on 17 Sep 15
     
    "Visual content is a powerful tool. As children, we learn to recognize visual cues before we learn to speak or write. We're wired to rely on these cues to understand the world and to use visual content to communicate our thoughts and feelings. Teachers can integrate graphic design into their classrooms to facilitate instruction and to prepare students for success. Here are four ways teachers are using visual content already. Try them and discover how visual content can positively impact teaching and learning. "
Nigel Coutts

Visual Literacy - Metalanguage & Learning - 3 views

thelearnersway.net/...literacy-metalanguage-learning

literacy education art visual

shared by Nigel Coutts on 04 Oct 15 - No Cached
  • Nigel Coutts on 04 Oct 15
     
    An increasingly significant aspect of literacy is an awareness of the visual elements that fall beyond the traditional components of written text. Termed 'Visual Literacy' this is the ability to read and create communications that use visual elements. It combines the skills of traditional literacy with knowledge of design, art, graphic arts, media and human perception. It takes literacy further beyond a decoding of text to a decoding of the complete package around the communication.
John Evans

Picture Perfect: Teaching to Visual Literacy -- THE Journal - 0 views

thejournal.com/...aching-to-visual-literacy.aspx

picture perfect teaching visual literacy literacy journal

shared by John Evans on 21 Dec 12 - No Cached
  • John Evans on 21 Dec 12
     
    "Visual Literacy proponent Lynell Burmark explains why the use of images is so important in the classroom and how it can help teachers meet the challenges of getting through the curriculum and engaging students in skills and content they'll actually remember and apply after the test."
John Evans

Using Social Media to Teach Visual Literacy in the 21st Century Classroom | Edutopia - 3 views

www.edutopia.org/...literacy-classroom-dave-guymon

social media visual literacy digital literacy learning

shared by John Evans on 19 Mar 14 - No Cached
  • John Evans on 19 Mar 14
     
    "Increasingly, educators are acknowledging and welcoming the relative advantages of social media into the teaching and learning process. From creating school Facebook pages to connecting students with experts via Twitter, social media has taken root as a legitimate classroom learning and communication tool. The highly linguistic nature of social media allows us to create and consume ideas and information unlike ever before. Much attention has been given to composing an articulate blog post and condensing our messages to 140 characters or less. However, effective use of this 21st century technology requires that we not only become proficient in textual communication, but also in our ability to express ourselves and interpret others' ideas through visual literacy. "
John Evans

When Images "Lie": Critical Visual Literacy | Digital Is ... - 9 views

digitalis.nwp.org/...2%80%9D-critical-visual-litera

visual literacy critical resources information literacy

shared by John Evans on 01 Jun 11 - No Cached
  • John Evans on 01 Jun 11
     
    "When Images "Lie": Critical Visual Literacy"
John Evans

The 8 Must Have Skills for The 21st Century Students ~ Educational Technology and Mobil... - 0 views

www.educatorstechnology.com/...e-skills-for-21st-century.html

skills students future

shared by John Evans on 24 Jun 14 - No Cached
  • John Evans on 24 Jun 14
     
    "Here is a wonderful little visual I came across through Edudemic which outlines the 8 skills students need in order to live up to the expectations of the future job market. These skills which are highlighted in the recent report "The Learning Curve"  by Pearson are a big departure from the conventional literacy skills : Reading, Writing, and Arithmetic.That being said, the report also underscored the fact that for kids (in developing countries) to get a grasp of the 21st century skills, they need to first master the basic literacy skills. Developing countries must teach basic skills more effectively before they start to consider the wider skills agenda. There is little point in investing in pedagogies and technologies to foster 21st century skills, when the basics of numeracy and literacy aren't in place."
John Evans

Project Information Literacy News Study: A new study on new adults and news - @joyceval... - 0 views

blogs.slj.com/...w-study-on-new-adults-and-news

project information literacy information literacy news study joycevalenza

shared by John Evans on 01 Nov 18 - No Cached
  • John Evans on 01 Nov 18
     
    "Dr. Alison Head and her Project Information Literacy (PIL) research team recently released the findings of a new national study on college students and how they consume and interact with a vast and deeply polarized news ecosystem. The News Study findings are the result of an online survey of 5,844 respondents and telephone interviews with 37 participants from 11 diverse colleges and universities. The research also included computational analysis of Twitter data associated with respondents, as well as a Twitter panel of 135,891 college-age people. In the study's press release, Dr. Head shared: News is fast, social, and visual and typically delivered to students in posts, alerts, tweets, and conversations that stream at them throughout the day. And young news consumers are left to assemble and interpret what news means, while many take this evaluative step, others do not. So what? The News Study's Executive Summary offers Five Research Takeaways as well as Six Recommendations."
anonymous

Visual literacy K-8 - 0 views

k-8visual.info

education visual_literacy

shared by anonymous on 25 Sep 08 - Cached
  • Visual literacy helps children to learn to read — and to enjoy reading. Examples of visual texts include diagrams, maps, tables, time lines and storyboard.
  • John Evans on 25 Sep 08
     
    Visual literacy helps children to learn to read - and to enjoy reading. Examples of visual texts include diagrams, maps, tables, time lines and storyboard.
John Evans

Wonderful Visual on SAMR As A Framework for Education 3.0 ~ Educational Technology and ... - 2 views

www.educatorstechnology.com/...sual-on-samr-as-framework.html

framework education SAMR

shared by John Evans on 06 Mar 14 - No Cached
  • John Evans on 06 Mar 14
     
    "Proponents of the sociolinguistic perspective to the study of literacy ( e.g.Paul Gee, Collin Lanksheare, Michelle Knobel, Brian Street, to mention but a few ) view the developments of literacy and with it education as a direct result to the sophistication of the social and cultural aspect of human life. Some of them like Collin and Michelle associate the evolution of education to that of the web and hence the nomenclature education 1.0 (related web 1.0), education 2.0 ( related to web 2.0), and education (3.0 related to web 3.0). This association, however is not haphazard for there are many commonalities between each pair."
Bec Gibney

The Literacy Shed - Home - 0 views

www.literacyshed.com

literacy writing reading resources

shared by Bec Gibney on 08 Jul 15 - No Cached
  • Bec Gibney on 08 Jul 15
     
    Provides videos and worksheets to use visual aids to improve literacy and writing skills
John Evans

Geo-Literacy Projects Build Students' Understanding of Our Complex World | Edutopia - 2 views

www.edutopia.org/...g-our-complex-world-suzie-boss

projects students understanding complex world edutopia

shared by John Evans on 06 Dec 15 - No Cached
  • John Evans on 06 Dec 15
     
    "If interdisciplinary project-based learning is a goal for you and your students this school year, you might want to start with questions that put a premium on place. For example: Where are bicycle accidents most likely to happen in your community? Where's the best spot to watch for migrating Monarch butterflies? What's the safest evacuation route in the event of a natural disaster? How have the neighborhoods of New Orleans changed after Hurricane Katrina? To investigate such questions, students would need to gather and analyze data, look for patterns, think critically, and communicate their understanding with maps and other visual aids. In the process, they would also make connections across content areas and deepen their geo-literacy skills."
John Evans

30 Educational Web Tools for Teacher Librarians ~ Educational Technology and Mobile Lea... - 3 views

www.educatorstechnology.com/...nal-web-tools-for-teacher.html

web tools teachers librarians

shared by John Evans on 24 Apr 17 - No Cached
  • John Evans on 24 Apr 17
     
    "Librarians do an amazing job at school. They are entrusted with various educational tasks. These include, according to Queen University library, help students with information-related activities, assist students in developing information literacy skills that allows them to navigate and search the web effectively, collaborate with teachers in creating challenging project-based activities, run different literacy clubs, build library collections and many more. In today's post we are sharing with you this handy visual we published last year featuring a number of interesting web tools to help teacher librarians in their work."
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